Necessities -- A Conversation with Richard Berger

I propose that one attribute of the production of those makers we call artists, historically and culturally, constitutes a kind of prosthetic activity to address an unforgettable and irreconcilable absence. To forget would be to surrender to incompleteness, an untenable and intolerable state. This production, the work of the artist, is intended to, however imperfectly, reestablish completeness. 

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